944
8.0

阶梯下的恶魔

导演:
韦斯·克雷文
主演:
布兰登·昆恩·亚当斯,埃沃雷特·麦克吉尔,温迪·罗比
别名:
未知
8.0
944人评分
英语
语言
未知
上映时间
未知
片长
简介:

  绰号“笨蛋”的13岁男孩(布兰登·昆恩·亚当斯 Brandon Quintin Adams 饰)一家住在贫民窟。“笨蛋”的母亲身患重病,急需医治,而他们一家却被房东勒令马上搬走。为了守住房子并为母亲治病,“笨蛋”听取了勒罗伊(文·瑞姆斯 Ving Rhames 饰)的建议,计划到臭名昭著的房东家偷窃。坊间关于房东夫妇有很多传说,据称他们的房子里藏着无以计数的金币,还有人说这是一间恐怖的房子,路过的人都不敢扭头去看一眼。而终于潜入房东家后,“笨蛋”却发现这所大房子的阶梯之下,隐藏着无比血腥的秘密……

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黑金风暴
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主演:凯文·史派西,凯利·普雷斯顿,蕾切尔·勒费夫尔,巴里·佩珀,埃里克·施维克,克里斯蒂安·坎贝尔,莫里·柴金
简介:

  影片根据真实故事改编。杰克·阿布拉莫夫是所谓的“政治机器”,尽管他自己并不是政治家,但却对政治了如指掌。从大学时代开始,杰克就是一个政治的狂热爱好者,他雄心勃勃地支持里根竞选总统。数十年之后,杰克·阿布拉莫夫又开始了自己投机倒把的 “说客”生涯,并且利用自己和政府高官的关系开办了许多赌场。
  围绕着自己的“生意”,杰克·阿布拉莫夫的身边围绕着各种各样的人。其中,迈克尔·斯甘仑是他最喜欢的生意伙伴。在贪婪心理、和金钱驱动下,杰克开始利用自己的关系网操控赌场、侵占印第安人的土地,并且渐渐地把自己的触角伸向了更为,敏感的领域:俄罗斯间谍、把第三世界国家逐渐成为发达国家“代工厂” 和“垃圾场”……甚至还有一些有预谋的谋杀案。
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主演:凯文·史派西,凯利·普雷斯顿,蕾切尔·勒费夫尔,巴里·佩珀,埃里克·施维克,克里斯蒂安·坎贝尔,莫里·柴金
女巫1967
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女巫1967
1.0
更新时间:04月30日
主演:西尔瓦娜·曼加诺,安妮·吉拉尔多,弗朗西斯科·拉瓦尔,马西莫·吉洛蒂,维罗尼卡·旺代勒,埃尔莎·阿尔巴尼,克拉拉·卡拉马伊,玛丽卢·托洛,诺拉·里奇,迪诺·梅莱,赫尔穆特·贝格,布鲁诺·菲利皮尼,莱斯利·弗伦奇,阿尔贝托·索尔迪,托托,尼内托·达沃利,劳拉·贝蒂,克林特·伊斯特伍德,Valentino Macchi,Pietro Torrisi,马里奥·西普利亚尼,彼得罗·托尔迪
简介:

  "The Witch Burnt Alive"
  After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
  "Community Spirit"
  Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
  "The Earth Seen from the Moon"
  The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
  "The Sicilian"
  Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
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1967
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