网红女王第一季

　　影片讲述知名滑雪选手凌风因一场事故，职业生涯陷入谷底，为了挽救自己热爱的事业，重返家乡回到起点，在一群青年雪友的帮助下，一边寻找恩师，一边找回初心与勇气，最终突破极限，破茧蜕变的故事。

暂无简介

　　故事主要是围绕一艘名叫邦蒂的船展开。邦蒂于1789年离开波特毛斯港口，前往南美，此次的任务就是前往大溪地某座岛屿，从那里得到一种像面包一样的水果品种，并把它运回英国。故事的主人公弗莱切·克里斯坦是船上的大副。他性格刚烈，很不满威廉姆·布莱斯船长的作风。而船长是一个极度刚愎自用的人，他听不仅下属们的建议和意见，反倒是百般折磨他们，就连喝水都被当作是一种惩罚：如果不服从他，就不给水喝。刚开始大家总是默默忍耐，敢怒不敢言。但是布莱斯船长不仅没有收敛，反而变本加厉地加重处罚措施，最后甚至用鞭子抽打那些犯了错的船员。整艘船上的人都再也无法忍受了。于是在弗莱切·克里斯坦的带领和组织下，他们进行叛变，把船长流放，随后自己在大溪地的一个岛屿上住了一段时间，过着天堂一般的生活。但是毕竟纸包不住火，丑闻最终还是被抖了出来。这些船员们会面临什么样的审判和处罚呢？

　　九州乱世，胤朝太师之女南星姿容倾城，在大婚前日却惨死于闺房，震惊东陆，引来各种族奇师的探查，内外纯钢的萝莉王钢偶然遇到离奇“复活”的南星，被一步步被带入神秘洞窟，卷入一团更大的阴谋。

　　花花公子阿兰（莫里斯·荣内特 Maurice Ronet 饰）在疗养院中进行了六个月的戒酒治疗。疗养即将结束，但他并不能肯定自己是否痊愈。他通过看书、抽烟、写日记、把玩手枪、剪贴报纸上关于死亡的报道来平复内心的恐惧与忧伤。他和美国的妻子分居，同时又与妻子的朋友莉迪亚（莱娜·斯克尔拉 Léna Skerla 饰）纠缠在一起。莉迪亚要求阿兰与妻子摊牌，与她生活在一起，但阿兰拒绝了。回到疗养院，阿兰在医生的鼓励下决定试着重新融入社会，接触自己的朋友们。在巴黎，他开始拜访昔日的朋友，却发现今时的人们全都背叛了从前的社会观、政治观，变得矫揉造作，没有人能够理解他，甚至对他进行明嘲暗讽。阿兰心中刚刚燃起的积极信念彻底地被摧毁了，他无法掩饰对这个世界的厌恶，再次陷入绝望之中。阿兰最后一次把自己灌醉，醒来之后，收拾完房间和行李，接了一个电话，读完一本费兹罗杰的小说，他拿出手枪朝着自己的心脏开了一枪。
　　本片获第28届威尼斯电影节评审团特别奖。

　　《極闘5之雙殺》故事從警員Joe（李泳豪飾）與媽媽雲姐（雪梨飾）兩人相依為命開始，雲姐每晚經常出現發噩夢與手震的情況。Joe與女友Yoyo（吳堯堯飾）上司張Sir（梁成致飾）等一起調查黑幫坐館鄭榮的案件，並且找出鄭榮身邊的黑幫成員當上污點証人。可是，一眾污點成員卻一個又一個被暗殺。但更離奇的是，那些殺手又會一個又一個被殺。張Sir與Joe這一組受到上頭的壓力需要破案，然而Joe發現自己媽給媽發噩夢的情況加劇。正當Joe憑著線人「死仔輝」跟蹤外藉殺手得到線索時，卻發現另有內情。

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　故事讲述住在一个屋檐下的一对同父异母的姐妹凯西跟温蒂，彼此都看对方不顺眼。在台风天的夜里，父亲因为工作而需要离开家几天。将两姐妹托给保姆多莉照顾。不巧家里因为台风而断电，多莉冒雨向外求援后却一去不复返，而门外似乎又有不明人物在游荡，两姐妹必须尽弃前嫌，才能逃出生天。

　　Hala是父亲的骄傲，她尽职尽责、有学术天赋，能够巧妙地驾驭她在芝加哥的青少年社交生活、以及作为巴基斯坦移民的独生子女的义务。
　　然而随着高中毕业的临近，Hala 遇到了青春期的烦恼。她遇到同班级热情洋溢的滑板男孩 Jesse，但这段浪漫的感情，却因信仰和包办婚姻的传统而变得复杂。
　　开始挑战这些习俗，将自己的生活与父母解绑，这无疑是对自身力量与呐喊的一次重大考验。

　　江湖大盗在行窃名贵花瓶的时候，无意发现了女主角留下的深情的书信。他被信中的真挚的感情所打动，便将书信发 进了自己的邮箱里仔细阅读。发现这一切的女主角通过电邮与江湖大盗继续保持联络，二人逐渐情投意合。当他们想走到一 起时，却遭到了大盗的幕后老板和女主角贪财好色的男友横加阻拦，他俩能否冲破谋害和危机终成眷属？

　　豔夏，陷入中年危机的医生寇斯提斯，在一座希腊小岛迷恋上正值青春年华的病患安娜。她青春无忌，奉行享乐主义，常与友人裸身于海边嬉戏，其随兴不羁的个性深深吸引了已然丧失热情的他，却也因此走入一条欲壑难填的毁灭之路。
　　全然解放的青春胴体映衬著热情旖旎的海岛风光，鲜明地拍出在面临举国破产后，希腊青年的遁世与中年人倏地无力的哀伤。