25岁的米娅·霍夫曼在一场审判中作为检方证人为弑警凶手作伪证使其开脱罪责,她为此受尽舆论与白眼。患上未确诊的创伤后应激障碍(PTSD)的她因此遭受着极度的焦虑与心理幻觉。为此她向一位英国有名的专攻创伤后应激障碍的心理医师富兰克林·斯帕茨寻求帮助,然而这位医师的妻子最近发生了一场可怕的意外,富兰克林也陷入了心理幻觉。在米娅努力寻求面对现实时,富兰克林却一心只想逃避,这两人的命运又将何去何从?
在自己深爱的父亲去死之后,9岁的乔伊发现自己处于一连串怪象之中包括心灵遥感,来自坟墓的电话还有险恶的口技长演者假人的残酷杀人本能但是相关部门到远调查乔伊的怪象的时候他释放出超自然的恐怖能量,科学家们对此无法理解而东手无策…只有这个小男孩有希望能让一切停止....
两位考古学家发现了一个传说中受到诅咒的印第安墓地,他们在清理文物的时候被一个黑衣怪物残忍杀害。人们接连被杀害,在附近执行训练任务的特种部队也难逃一劫。奉命调查的特别小组来到森林里,打听到一个叫“枯骨乔伊”的土著,可能是他们要找的人。于是他们开始四处搜索……
米娅的目的地婚礼似乎注定了,当她的新娘党不是太热衷于做所有的工作,把一个破旧的夏天的卡姆变成她的梦想的场所-当他们开始被神秘地杀死,这也没有帮助。
This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
警察可以维持正义也可以耍流氓,当他遇上流氓中的流氓--美国政府,谁才能站稳地盘。 1950年初,四个洛杉矶的CIA干员,自行组成一个小队组织,他们就是骇人听闻的正义份子----CIA情报干员。在一次例行查案中,CIA的领队麦克斯胡佛意外地发现一项惊世的内幕----在二次世界大战美国对广岛投下第一颗原子弹后,美国原子能协会更加积极暗地里进行「人体实验计划」,利用年轻力壮的军人作实验,以研究原子武器的开发,而这项惊人的发现,却为自己的妻子及整个组织惹上麻烦.... 发现这个计划 ,这四个人暗中进行调查,在调查行动中,这四人也成为政府及FBI 毁灭的目标..拥有特权的四个CIA干员,为了正义,这回他们不能行使特权,只能勇敢的向美国政府争回自己的地盘....@yakutv.cc
莉莉(柏安妮 饰)和西西(陈加玲 饰)是一对表姐妹,两人合伙在一间商场里租了一家铺子经营服装店的生意。在开张前夕,西西不小心将店内的镜子打破,于是保安便拿来的地下室里的一面布满了灰尘的镜子做替换。让众人没有想到的是,一名僧人于五年前将一批恶鬼封印在了这面镜子里,如今,封印被打破,恶鬼们重见天日在商场里作为作废搅得整栋大楼鸡犬不宁。 艳桃红是这群恶鬼之首,五年前,她逃脱了僧人的制裁,五年后,她要找当年害死她的一群人复仇,而巧合的是,她要找的,竟然就是西西的前世。艳桃红捉走了西西,将她带到地府。
艾曼纽靠为报社提供新闻照片谋生,在医院里见到食人族女孩后,她决定深入亚马逊丛林。她找到了莱斯特教授,并一起来到亚马逊,借宿莱斯特好友威尔克斯家。次日,艾曼纽和莱斯特带着威尔克斯的女儿伊莎贝拉等人出发。进入丛林后,他们邂逅了“猎人”唐纳德和玛姬夫妇,遂开始一起行动。但很快,他们就遭到了食人族的袭击……这部意大利在1970年代出品的冒险恐怖片,改编自詹妮弗·奥苏利文报道的真实故事,更是一部相当彻底的Cult片。用一句话来形容本片,就是“什么都没有,只有血腥和情欲”,所以,心脏不佳或不好这口的人,千万别看它。影片开场20分钟是预热,但也极其火爆,上来就是一幕护士被抓掉胸部的残酷镜头,随后的男女、女女激情镜头也比比皆是。进入丛林之后,除了情欲画面丝毫不减外,残酷的血腥镜头大量增加,虽然从效果看,老电影制造粗糙的毛病不难看出,但依然还是很有视觉冲击力,让喜爱的观众看得大呼过瘾。
1987年马泰边界,吉打象屿山下的村落里,村民阿昌是民间神明拿督公的虔诚信仰者,妻子阿燕却不以为然。某日阿昌驱赶神龛前的蛇,不慎打破暹罗裔邻家屋墙。两周后,阿昌突在田埂晕阙,口吐血丝锈钉,村人知悉各圆其说,阿燕全然不信,决意为丈夫遍寻药方。三个月后,阿昌久病不愈,阿燕无计可施,到洞穴祭拜象屿山神。此时,穴内出现一名女子,向她娓娓道出狼牙修时代的传说。霎时之间,阿燕仿如置身边界的融汇与对立,深陷惶恐与未知。本片以精湛的视听语言和炉火纯青的场面调度勾勒出东方神秘主义的新面貌。