李泳知的彩虹

　　《CSI》的故事背景设在赌城拉斯维 加斯，以真人真事改编，讲述刑事警察局的法庭犯罪调查员如何在作案现场取得证据破案的故事。调查员的名言是“死尸会说话”，他们利用指纹、鞋印、子弹壳、血迹、毛发、纤维、尸体伤痕等微小证据，经过仔细的分析研究后，寻得破案的关键。
　　解开谜团的过程颇有吸引力。此剧还重建死者被害时的现场，拍摄子弹如何在体内穿梭，血管、器官被破坏过程，逼真景观令人屏息。看了如此细致的破案手法，即使有犯罪的胆在以身试法时也要好好考虑。
　　这部美国哥伦比亚广播公司的王牌节目，曾获得第59届美国金球奖“最佳系列剧”，主演过《异形》的海尔金伯格凭该剧获得了最佳女主角奖。另外，该节目还获艾美奖六项提名，入选2002年美国“十大最佳电视影集”、美国CBS电视台当年收视冠军，可谓集三千宠爱于一身。
　　该节目比传统刑事案件报道更有情节性和悬念性。《CSI》的专职顾问伊丽莎白·德瓦恩是一位曾在洛杉矶安全部门供职长达15年的犯罪现场调查人。该节目收视率之所以居高不下，41岁的德瓦恩功不可没。另外，《CSI》已成为美国警方的必备学习教材，连英国苏格兰场、日本警卫厅以及法国警局都视之为反恐教材。by:m.yakubd.cc

　　《思家大戰》2023年載譽回歸！節目由李思捷擔任主持，每集就着與日常生活相關的問題抽樣訪問一百位市民，民調答案會根據得票排列榜上，越多人回答的答案，排名越高。兩個「星級」組別比拼，或由藝人隊、名人隊對壘家庭觀眾隊，限時內競猜民調結果，猜中排名越高的答案，得分越多。經過多個回合，贏家的積分會轉化成獎金，再派出兩名組員參加「終極開口中」，爭奪每集的終極大獎！節目令你爆笑，引你共鳴，勢再掀起全城熱話！

　　「ガースー黒光り諜報局」（ガースーくろびかりちょうほうきょく）、通称GIA（Gaasuukurobikari Intelligence Agency）として、茨城県久慈郡大子町[3]にある、東京理科大学大子研修センター（旧茨城県立大子第二高等学校跡地）でロケが行われた。

　　This show is quite possibly the biggest waste of videotape, electricity, and RF bandwidth in the 70 year history of television. It's nothing but 60 minutes of some of the worst bile that can come out of human beings, male or female. Basically, it's nothing but pure bitchy, catty, c*nty, vile harpiness among the contestants, judges, and the fashionistas (or should I say fashionazis). Typically a lot of insulting, backbiting, and bitchy, unnecessarily anal-retentive criticism.
　　The thing that gets me about the show is how much the judges and fashionazis (and the pretentious shallow fashion industry in general) nit-pick against the equally bitchy contestants about little, petty, trivial, frivolous, anal-retentive things about their appearance, personality, etc. Things that the *REAL* people in this world (which the fashion industry lacks, thankfully) wouldn't give rat's ass number 1 about. (Myself included.)
　　Crap like: "Oh, your left eyebrow is a yoctometer off center. That isn't gonna fly, and nobody will take you seriously in this industry because of it!" Or, "You're breathing wrong. Good luck with winning this competition." I'm just kidding here, but they usually end up saying things almost exactly like this on this show.
　　If getting into the fashion industry is this hard, painful, bitchy, insulting, nit-picky, catty, backstabbing, and anal-retentive as this show tries to portray, than thank the good Lord that He made me all fat, balding, hairy, and dumpy-frumpy-dowdy-frowsy-geeky-lookin', because I would never want to be required to have the caustic bitchiness and anal, pretentious attitude of any model or fashionazi (or any fashion industry worker), namely the people on this show.
　　And Janice Dickinson, mercy, do not get me started on her...
　　This show needs to die. It's this show (and many other "reality" shows like it) that proves that competitiveness (and the fashion industry) is truly the devil's tool...

　　十二位大厨变身食物科学家，重现经典零食，发明独家原创点心，争夺5万美元大奖。

　　由腾讯视频出品的，国内首档以男性视角关注女性美的时尚综艺《口红王子》第二季官宣定档，宣布将于10月29日起每周二中午12：00在腾讯视频独家上线。主持人何炅携手第一季王子费启鸣、Mike、秦奋、戴景耀如约归来，更有彭昱畅和毕雯珺作为新晋王子惊喜加入。六位王子组成可盐可甜、魅力型男、偷心盗贼等多款 类型并存的全新“王子团”，并有“美好颜究员”薇娅加盟，探秘女星化妆台，深入讨论两性情感等问题。

　　《超级语文课》第三季是山东卫视2024年推出的全国大语文公开课节目。该节目还原经典语文课堂，带观众重温凝聚民族文化精华的经典课文，一窥当下大语文教育的全新风貌，刷新对于语文课堂的传统认知，让每位观众都能找到自己最喜欢的一堂《超级语文课》。节目将邀请来自全国各地、极具个人特色与行业口碑的语文一线教育工作者，依托国家教纲，通过拿手一课、非常一课、一题双课、极限一课、最难一课等节目环节，为观众带来数十堂精彩而震撼的语文课。节目特邀郦波、李强、傅首尔、都靓等文化名人担任课评员，他们将和听课学生一起组成听课团，聆听老师讲课，感知名师背后的思想情怀，从语文的角度理解、传播中华优秀传统文化、解构社会命题，凝聚民族文化认同，增强文化自信。

　　由克里斯、史帝夫和莉兹所主持的新节目要用三个不同的区域，来探讨我们的海洋健康度；这些地方分别是墨西哥的下加州、巴哈马和澳大利亚的大堡礁

　　《不止于她》第二季是由腾讯新闻立春工作室、木之文化联合出品的杰出女性纪实访谈节目。节目由屹芝担任主持人，以“寻她者”的身份，走进余秀华、邓亚萍、何超莲、伊莎贝尔·于佩尔 Isabelle Huppert、杨倩、秦海璐六位杰出女性的生活场景，看到光环之内她们的传说，也一探光环之外她们的生活日常

《抖包袱小会》为《抖包袱大会》的衍生节目，通过创意策划、趣味游戏和未播花絮合集等多样形式，全方位展现年轻的相声演员们在台下鲜活逗趣的真实性格，以及彼此之间“相爱相杀”的私下关系，既切磋业务水平，也分享生活乐趣。台上包袱抖得响，台下继续抖包袱，无论何时何地，相声演员们都希望能够将欢乐无限传递。

　　Historian Andrew Roberts travels the world re-tracing the footsteps of Napoleon in the build up to the 200th Anniversary of the Battle of Waterloo.

　　Exploring the role and symbolic meaning of the Crown Jewels in the centuries-old coronation ceremony, The Coronation shows these objects of astonishing beauty in new high-resolution footage. The film tells the extraordinary story of St Edward's Crown, which was destroyed after the English Civil War and remade for the Coronation of Charles II in 1661. It has only been worn by Her Majesty once, at the moment she was crowned.
　　On 2 June 1953, on one of the coldest June days of the century and after 16 months of planning, The Queen set out from Buckingham Palace to be crowned at Westminster Abbey, watched by millions of people throughout the world. A ceremony dating back more than a thousand years was to mark the dawn of a new Elizabethan age.
　　Viewing both private and official film footage, The Queen recalls the day when the weight of both St Edward's Crown and the hopes and expectations of a country recovering from war were on her shoulders, as the nation looked to their 27 year-old Queen to lead them into a new era.
　　In the film, The Queen says: 「I've seen one Coronation, and been the recipient in the other, which is pretty remarkable.」
　　For audiences unfamiliar with the story of the Crown Jewels and the regalia, the film explains their contemporary relevance to the UK as a nation and to the enduring purpose and the work of monarchy. They are symbols of the relationship between the Sovereign and the people, and the duties and responsibilities of leadership.
　　The film also features eyewitness accounts of those who participated in the 1953 Coronation, including a maid of honour who nearly fainted in the Abbey, and a 12 year-old choirboy who was left to sing solo when his overwhelmed colleagues lost their voices.