剧情:
In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment收起
相关影片
HD中字
HD中字
伊芙琳从拉丁美洲的家乡前往西班牙。她以为自己要去当一名女服务员,但她被欺骗并被绑架到路边俱乐部卖淫。这是一个洗脑的故事;一个把一个普通女孩变成性奴隶的人。
HD中字
安娜失去了记忆,但她并没有忘记如何做饭。一天晚上,她出现在希腊港口附近的一个工人阶级社区。在那里,她遇到了不可预测的孤独者肉卷,并在他简陋的小酒馆找到了工作和招待。在厨房里,在香料和被遗忘的古老食谱的
HD中字
HD中字
HD中字
HD中字
渔村留守女孩自强不息
热播中
HD中字
已完结
HD国语
已完结