幸福的馨香

　　春城饭店是个让人头疼的烂摊子，饮食公司的领导决定让牛宏（孙淳 饰）去春城当经理，在姐姐牛华（陈烨 饰）的鼓励下，牛宏走马上任。在牛宏的领导下，饭店扭亏为盈，破天荒发了奖金，为争奖金孙连香（邱渝贞 饰）和崔芬（童燕 饰）吵得不可开交，牛宏扣发了她俩的奖金，邱二宝（孙敏 饰）也因违纪被罚。对刘俊英（殷亭如 饰）一直有好感的牛宏想请她为饭店画幅璧画，刘答应了。当他知道刘有男朋友且马上要结婚时，心里很不是滋味，婚礼当天，战胜理智的牛宏亲自掌勺做莱并给新人敬酒。春城的火爆另公司内部人眼红，状告他有经济问题的材料上了领导办公桌，他跟领导据理力争，却被当场撤职，他顿感无奈和迷茫......

　　《秘密囚禁》是一部通过极致而夸张的手法描述一个看似表面光鲜亮丽，但背后却有着无数辛酸与无奈的网络主播的故事。甜美性感的女主播岚岚在一日直播中被突然闯入家门的神秘男人劫持，醒来后发现自己被捆绑无法逃脱。岚岚意图用钱和其讨价还价，然而神秘男人的目的并不在此，并通过直播告诉岚岚的助理和男友每回答对自己的一个问题可以得到一条营救线索。随着问题的结束，助理雯雯和男友杜风终于破解了岚岚的位置，神秘男人竟然是……

　　哑女阿花天姿聪慧，在酒家陪酒生意鼎盛，她虽然不能说话，但用手语和表情就把酒客弄得神魂癫倒了。面貌奇丑的七先生是卖手表的摊贩，他偷偷地暗恋阿花。多少次阿花被子欺负戏弄，七先生都挺身而出替她解围，阿花非常感激他的相助，而自作多情的七先生却得意洋洋自认为是（英雄救美人）！聋哑老师陆建平义务教导阿花进修功课，日子久了俩人发生了感情，他们经常出外游玩，影响了阿花的正常上班。酒廊老板对陆老师很不满意，她要设法阻止他和阿花来往。某日、陆老师送阿花回来，在酒廊後巷被三个陌生人毒打，阿花眼看心爱的人被打得血流满面，在情急之下，竟高喊（不要打了）。奇怪的事情发生了，哑巴怎麼会开口说话？

　　中年的高宫利一辞掉了在东京压抑的工作，回到老家新泻做一名长途通宵巴士司机，开始全新的生活。一天晚上，他刚要发车的时候，十六年前跟他离婚的前妻加贺美雪上了车。他后来了解到，她在东京组建了新的家庭，这次回来是要去看独自住在新泻的生病的父亲。但是他看出了她的疲惫。高宫利一和加贺美雪有两个孩子。而他自己也在考虑与在东京开餐馆的女友古井志穗结婚。不过这次偶遇让他开始重新思考自己的人生。同时，他的儿子和女儿也在经历着人生中的转折点。

　　Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.

分手两年后，一位事业蒸蒸日上的比科尔厨师（胡安乔）与前女友（齐）重逢，齐因工作需要短暂回乡探亲。胡安乔仍对分手耿耿于怀，试图勾引齐，破坏她的婚约，却发现自己再次爱上了她。

　　The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.
　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.
　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.
　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.
　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.
　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.
　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

　　西部开拓史（How the West Was Won）是一部1962年的史诗型式西部片。时间设定为1839年至1889年。情节是拓荒者普莱史考特一家人四代的故事，旁及各相关人事物；从中呈现半个世纪的美国西部历史。此片气势雄浑壮阔，编剧、取景、摄影、配乐、音效、导演、演员 阵容，各方面俱臻上乘水平。全片包括5个部分：《急流》、《平原》、《非法之徒》，由亨利·海瑟威执导；《南北战争》由约翰·福特导演；《铁路》由乔治·马歇尔执导。
　　故事讲述一家三代在各种时代背景下的艰难曲折，通过这个家庭从19世纪早期到1880年代半个世纪的迁徙经历，描述美国西部历史。他们从纽约出发，经历了内战，淘金热，路遇印第安人和西南部的流放者，经历各种艰难险阻，终于到达西部，并联合其他开拓者在平原上修建了铁路，把法律与正义也带到了边疆。

　　精英私立学校的富家公子和朋友们调查一系列奇怪的超自然事件，并发现了一个黑暗的阴谋。

　　经过劳动改造，犯人李慧泉（姜文 饰）刑满释放，他回到了从小生长的胡同。老街坊邻居罗大妈很照顾这个父母亡故、孤苦伶仃的小伙子。当年，哥们叉子因为女友爱上了别人，气愤不过，拉着讲义气的李慧泉，教训了那个男人，结果无意中弄出了人命，二人双双入狱。如今，叉子的家人对他们依旧抱有成见，只有叉子的弟弟觉得李慧泉是条汉子。 李慧泉在民警小刘（刘斌 饰）的帮助下，后来选择了练摊谋生，期间遇到了三教九流令他尝遍人间冷暖。在歌厅里，李慧泉认识了驻唱的歌手赵雅秋（程琳 饰），此后他成为她的护花使者，但是在他决定重新开始新生活的时候，却陷入了始料未及的困境……
　　本片根据刘恒的小说《黑的雪》改编，获得1990年柏林电影节银熊奖。

　　林志豪从小生活在单亲家庭里，受到家庭环境的影响，母亲因为父亲林国兴不争气离开父子二人。凭着自己一步一个脚印的努力，和对自我梦想的追寻，林志豪最后有了一点小小的成绩。影片完美讲诉了90后这一代人随着时代的变迁，从来没有放弃自己的梦想，没有放弃对生活的希望。