藏獒情未了

　　The aardvark has evolved to be one of a kind. You could say the same of Josh Norman.

　　窪の短編集「水やりはいつも深夜だけど」に収録されている「かそけきサンカヨウ」は、家庭環境のせいで早く大人にならざるを得なかった高校生・国木田陽の葛藤と成長を描く物語。

　　当年正处于双十年华的奥地利女星海蒂·拉玛（当时的艺名是海蒂·吉斯勒），在片中饰演一个嫁给老夫的少妻夏娃，因为得不到性的满足而偷恋陌生的青年骑士亚当，最后导致老公受不了而自杀。
　　本片在第二届威尼斯影展中获得最佳导演奖，虽是一部公认的艺术电影，可是因片中有大量的女体裸露镜头，故曾在美国查禁。海蒂当时年少无知，听任导演摆布，配合演出了一些裸露和激情场面，包括湖中裸泳、林中裸奔、以及跟青年骑士亲热时的“狂喜”表情等，在1930年代显得相当大胆，幸而导演也用了很多象征式的描写，把影片拍得尽量高雅和诗情画意，而男女主角取名亚当与夏娃，喻意也明显不过了。此片捧红了海蒂，使她进军美国的电影界成为好莱坞巨星。

　　迈克斯（罗伯特•德尼罗 Robert De Niro 饰）因为强奸而遭到起诉，他找来了律师萨姆（尼克·诺尔蒂 Nick Nolte 饰）为自己辩护；他有所不知的是，萨姆是一个女权主义者。出于义愤，萨姆在辩护是故意隐瞒了一项对迈克斯有利的证据，最终导致了迈克斯被多判了6年。本来不懂法律的迈克斯在狱中通过自学法律发现了萨姆对他的背叛，发誓一定要找萨姆报仇。
　　一晃14年过去了，迈克斯刑满获释了，他开始展开他的复仇计划。他首先在萨姆家附近出现，引起他们的恐慌；随后，萨姆派来对付他的人被他打得落花流水；他之后潜入萨姆家杀死了保镖和厨娘。惊惶不安的萨姆一家逃到了一个叫“恐怖角”的地方，迈克斯也尾随而至……

这部泰米尔语片翻拍自 2018 年泰卢固语电影《Care of Kancharapalem》，看四段打破传统和期待的爱情勇敢绽放。

　　Celestine, the chambermaid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man. But Mr Lanlaire is not a right choice: all the house is firmly controlled by Mme Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, ex-officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive, and does not share his mother's anti-republicans opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and also Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity ? Will sinister and inflexible Joseph let his views upon Celestine be ruined ? A quite disillusioned depiction of humanity.

　　波兰电影导演杰西在法国为电视台拍摄影片时陷入困境。他不仅严重超支，丧失灵感；而且这部叫做“情欲”的片子变得死气沉沉苍白无力。电影摄制组下榻的旅馆为汉娜所拥有。她和米歇尔同住。米歇尔自己开工厂，最近解雇了清洁工伊莎贝拉。汉娜和伊莎贝拉都为导演杰西所着迷，旅店的女仆都辞去工作，争做临时演员。人们问导演影片的故事何在：女人们宽衣解带，临时演员在场外互相爱抚。导演感到纳闷：为什么一定要有故事呢？
　　一个摄制组在一个村子里拍片，导演未能为影片找到合适的光线。拍摄工作耽搁下来。为影片投资的人都感到焦虑不安，更何况这部名为《情欲》的影片没有什么故事情节……在当地的工厂里也发生了冲突，老板解雇了一个想要成立工会小组的女工。这位女工希望导演对她的问题发生兴趣，而导演希望摄制组所住旅馆的老板娘在他的影片演出。工作和情欲交织在一起……

　　In rural Southern Spain Antonia, a fifteen-year-old mother, disappears in the middle of the night. 50 years later and much further North, Carmen, an introverted casting director, is looking for people to share their experiences when arriving in a new city. In her search, she meets Antonia, whose impulsiveness intrudes into Carmen’s solitude. Who said time heals all wounds?

　　Bipedalism, or 'two-footed walking', is the story of a painter who grew up in an orphanage and only years later learns the circumstances of his father's disappearance and death. Childhood memories bring the main character back to the past: he buys a house in the suburbs that used to belong to his family. In the basement, he finds his father's archives and scientific research documents on the hybridization of human race with related biological species. Studying the archive material, he unexpectedly finds evidence of efforts to renew the experiments on the remaining hybrid population. The painter then becomes a researcher, and consequently a victim. The basic idea of his father's research was to change, control and influence the process of human evolution - initially connected with eugenics theories of the period before World War II, and now being placed in a context of modern 'biotechnological' expectations by his former colleagues. The main character tries to recreate and realize his father's heritage, who was forced to cooperate with state terror organizations, using the results of his secret research. In a tragic manner, this information turns into the main character's reality, at first forcing him to reappraise his father's values and later driving him to madness.

　　互不相识的两个年轻人在北京忙碌着各自的生活，陈默在街头卖花，美婷在发廊给人洗头。陈默希望多挣点钱；美婷的梦想是有一天能去演戏、当明星。一天因为城管人员的追查，陈默为了逃脱不得不将手里的花递给正好经过的美婷。结果莫名其妙的美婷将这些花不经意地丢掉了，于是这两个同样来自破碎家庭的年轻人从认识开始最终走到一起，不是为了爱，而是为了建立一个他们从来没有尝过的快乐家庭。他们开始玩一个游戏：每逢星期一、三、五，陈默便饰演美婷的爸爸；而在星期二、四、六，美婷都扮做陈默的妈妈，他们认为此时此刻只有父亲的呵护、母亲的温情才是最最真实的情感。尽管屋外寒冷、残酷、烦杂、喧嚣，漆黑一片，在狭小的房间里，他们却共同建造了一个几近完美的世界，温馨、和谐，屋里透出的一点昏黄的灯光让周围的一切都开始变得温暖。最后陈默死在同乡的抢劫中，而美婷继续她在发廊给人洗头的日子。

　　16世纪中叶，我国新疆境内的叶尔羌汗国王子阿布都热西提汗在继承了父王赛依德汗的王位后，平定了战乱，统一了汗国，使民众得以休养生息，安居乐业。汗国的经济、文化也因此得到了空前的发展和繁荣。民间艺人马合木提与女儿阿曼尼萨罕相依为命，并和被逐出宫廷的乐师乌麦尔结为知己。在共同生活的岁月中，阿曼尼萨罕拜乌麦尔为师，学习诗文和乐理知识。几年后，聪颖过人、有着非凡音乐天赋的阿曼尼萨罕，不仅精通了诗歌和韵律，还出落成了一个绝色的美女。一天，汗王微服出游，巧遇阿曼尼萨罕，不禁被她的美貌、歌声及渊博的诗文知识所吸引，不顾王后及以右大臣为首的众臣的反对，毅然将阿曼尼萨罕接进宫中。在宫中，阿曼尼萨罕经受封建保守势力、居心叵测的右大臣及王后的种种歧视和陷害，倍受磨难。但阿曼尼萨罕并没有因此颓唐下去，仍以坚定的信念，在老师乌麦尔的帮助下，历尽了种种艰难，将散乱于民间的木卡姆乐曲收集、整理、汇总成章，辑编成十二木卡姆套曲，使木卡姆音乐成为不朽的篇章，为维吾尔族的古典音乐作出了巨大的贡献。然而，乌麦尔却惨遭伊善、右大臣的毒手。阿曼尼萨罕也在汗王出征讨伐叛乱期间，郁郁寡欢、忧忿交加，最终病逝。但是，具有艺术文献价值的十二木卡姆套曲却深受人民喜爱，被后人一代一代传了下来，阿曼尼萨罕也因此成为人们有口皆碑的传奇人物。