While the hot rodders and motorcyclists are having a rock-and-roll beach party, a barrel of radioactive material is unloaded from a passing ship, plunges to the bottom and splits against a jagged rock. A black liquid oozes out and covers a shapeless mass on the ocean floor, which suddenly moves and becomes an encrusted vicious monster. Soon there are several monsters and they must have human blood to survive. Tina is the first victim, and football hero Hank Green and airhead Elaine Gavin enlist the aid of her science-professor father, Dr. Gavin, to solve and capture the killer. Not working fast enough to prevent the attack on twenty teen-agers at a slumber party nor the killing of three girl motorists, Dr. Gavin finds an arm lost by one of the monsters and discovers that only sodium will destroy the monsters whose composition is mostly water. Can they gather enough salt in southern California to put an end to this horror?

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　女主角为了要迎接远道而来的男友而在豪雨中出了家门。就当女主角接到男友时，没想到在镇上因为高压电的关系而巨大化的蠕虫开始袭击小镇上的所有居民。。。

　　一个患有精神分裂症的少女开始怀疑她的邻居绑架了一个孩子。她的父母不顾一切地帮助她过上正常的生活，却不暴露自己悲惨的秘密，唯一相信她的人是卡莱布——一个她甚至不确定是否存在的男孩。

　　一年前，德州女孩妮可·卡洛（詹米·亚历山大 Jaimie Alexander 饰）与男友杰西·希尔斯（乔伊·曼迪西诺 Joey Mendicino 饰）在前往洛杉矶的途中神秘失踪，至今下落不明。杰西的哥哥汤姆（理查德·提尔曼 Richard Tillman 饰）退役回到家乡，他一心寻找失踪的弟弟，于是约上女友玛丽莲（杰茜·沃德 Jessie Ward 饰）和好友杰拉德（格莱姆·诺瑞斯 Graham Norris 饰），三人驾着小卡车踏上前往洛杉矶的旅途。
　　在一个加油站老板（史蒂文·瑞尔斯拜克 Steve Railsback 饰）的提示下，他们行驶到妮可二人失踪的旧公路上。偶然机缘，三人分开，而恐怖神秘的黄色小卡车再次出现，他们各自经历了人生中最惊悚与离奇的时刻……

　　A detective and a medical examiner join forces to solve a series of horrific murders in Victorian London - but one of them harbors a deadly secret.

　　在与一个精神错乱的连环杀手交换尸体后，一名高中女生发现，她只有不到24小时的时间才能得到永久性的改变。

　　A young American clerk Anthony, who was recently divorced, led a lonely lifestyle. His old friend Matt did not answer calls for several days and it looked like he left somewhere without warning any of his friends. One day, sounds were heard from Matt's apartment and Anthony went to check what happened there. Suddenly, he stumbled upon an unfamiliar, beautiful girl and fell in surprise and hit his head. As it turned out, the girl was Natasha, Matt's girlfriend. Matt heard the sound and rushed in. He and Natasha carried Anthony to his apartment. The next day, Matt and Natasha told Anthony they had just returned from Russia and advised him to go there where he could find a beautiful bride. Natasha assured Anthony that Russia is a very safe place and lots of fun things going on. After some hesitation, Anthony went to Russia. Having settled into the hotel, and rested, in the evening he went to the bar, where he met a lonely, dancing, beautiful blonde named Nina. One of the bar visitors warns Anthony that Nina was a witch and could not be kissed. Anthony didn't take it seriously. The couple had fun at the restaurant and Nina invited Anthony to her home. Well drunk, Anthony agreed.

　　If the mysterious plague sweeping the nation wasn’t bad enough, Dean is still going ahead with his doomed wedding tomorrow morning. That leaves him with a choice. Pick up the button holes and chocolate fountain as instructed by bridezilla Elaine, or go with five mates (and a stripper) to play ‘Zomball’ at a top secret military compound where you get to shoot zombies with huge stun guns. Disobeying the golden rule of Zomball (‘never never humiliate a zombie’) the stags face overwhelming odds from the massed undead and each stag is hunted down. The truth about Zomball is finally revealed and suddenly the mother-in-law is the least of Dean’s problems.